Category: Fashion Sewing

I needed a new dress to wear to our friend’s wedding, and decided that I wanted a cute fit & flare style, so I bought Vogue 1348 Tom & Linda Platt designer pattern to make:

I found this lovely blue, grey and black striped silk dupioni (or shantung, I can never quite tell the difference) and got to work.

I chose to not make a muslin mock up and just went for it, cutting out the size that was closest to my body measurements. It turned out OK, but due to lack of time (I was literally sewing up until the very last minute!), I was not able to do more fitting in the process and the dress came out a little large on me, but certainly wearable.

I used all silk materials for this dress including the silk dupioni outer dress fabric, black silk organza for the underlining, silk habotai for the lining, and a lovely dot printed Italian silk organza material from Mood Fabrics for the petticoat ruffles.

The pattern pieces for this dress are a little different from what I have ever made before, but they make sense once the construction process gets underway.

The front of the dress, bodice princess seams and all, is cut out of one piece, cut on the fold of the fabric, and the back is one piece, cutting 2 and sewing a center back invisible zipper.

Here is a photo of the basting process of adding the underlining to the bodice and making the princess seams:

                          

Making the pleats was the next major step. This was not too difficult to do, as long as the pattern marking are done well and the instructions are carefully followed.

           

The invisible zipper is then installed in the center back seams:

                      

Then the pockets are sewn to the side seams:

The tricky part with the pockets that are incorporated into the side seam and a pleat is getting the pleat just right from the back as well as the front sections of the dress. Carefully marked pattern symbols and lines really make a difference in this area. I had just done tailors tacks with thread, but really should have used tracing paper and the tracing wheel for the pleats to make the line and dot matching much easier. I managed to get through it though without too much difficulty.

              

The facing and lining pieces are next:

The, the petticoat is made from two rows of long pieces of organza gathered and sewn together, then sewn to the bottom of the lining material. I stared really running out of time at this point, so the photos had to stop and the sewing took precedence!

I made a few shortcuts as well and had no time to hand stitch the back of the lining to the zipper, nor did I add the strip of lace to the hem of the dress.

All in all, the dress came out cute, but not as fitted as I would like (I’ll go back and take in the side seams a bit for a closer fit through the waist. Plus it was a little puffier than I would have liked, but that is the nature of a pleated dress with a ruffled petticoat I suppose!

The wedding was really fun and I got a lot of compliments on my dress, so another successful dress project in my opinion!

                           

I just completed and delivered the silk kimono robe I made for my good friend and bride-to-be. It turned out to be quite nice and luxurious! It took me much longer than I had anticipated, but I was able to crank it out in time for her to wear it while she gets ready for her wedding day on Friday.

I used Vogue 8888 pattern to make this.

For the most part, it was a very good pattern to follow, although a good amount of pattern pieces (10-11 depending on the finished results), and using a very slippery, yet luxurious silk charmeuse, purchased at Mill End Store in 2013, cutting out and sewing was challenging.

Also there was a good amount of hand sewing to do. The entire shawl collar interior seam is slip stitched by hand, which took a long time:

I was not entirely happy with the seaming of the pocket opening as well as the pocket bag. I am not 100% sure I sewed it all correctly as the pattern instructions and illustrations were a bit vague and lacking for these steps, so I had to wing it and make an additional mock flat felled seam (or a mock french seam, I’m not sure what I did, I just made it work!) in order to hide the raw edge and prevent future fraying. I just tucked in the raw edges, pressed, and stitched them down inside.

The pattern instructions have you just sew the pocket bag front and back together in a single straight stitch. I felt that this was not enough for a pocket as there tends to be wear and tear on a pocket interior, so I opted to sew the pocket seam around, then fold in the seam allowances in on themselves, pressed carefully and painstakingly, and make a mock french seam or mock flat felled seam. Whatever it was, it reinforced the pocket bag seams and hid the raw edges. Vogue could have done much, much better here in my opinion. No photo, I’m sorry.

I also made up a French seam technique for the armhole seam as Vogue has you just make a single flat seam for the armhole. Again, raw edges and fraying will be present here, and I was not about to pink, serge or zig-zag the lovely silk seams (cheating IMO), so I made my own French seam for the body/sleeve seams.

I am pleased that Vogue made the effort to make the side and underarm seams of this robe French seams in the instructions, but I am disappointed in the fact that the armhole seams and pocket bag seams are just regular, single stitch seam and raw edge will be seen. So I did the right thing and made French seams where ever I could.

More hand work making the thread loop to help hold and guide the robe sash ends. I was going to skip this step of making the thread chain loop, but felt the robe in silk really needed this additional holder and guide, as the silk fabric is so slick and slippery and will certainly fall open with wear, weather intended or not 😉

The interior ties will also help hold the robe closed:

The back of the robe is nice too, smart to have the sashes attached so they don’t get lost and don’t slip around too much:

Side view of the completed robe showing the pocket, sash, side loop and part of the kimono sleeve:

I love this robe, it turned out so luxe and beautiful, and now want one made up for myself!

Maybe when I have about 3 1/2 yards of yummy silk fabric and a month to cut and sew, I’ll do it again!

I hope my lovely friend loves it and enjoys it for years to come!

Hot off the sewing machine: Crop top and skirt made from a modified version of Vogue 8184 dress pattern in a cotton “Island Girls” print from Alexander Henry Fabrics Collection.

We were invited to a Hawaiian themed party, and I knew right away that I could make a quick dress or something to wear to the party.

I also knew that the fabric store I most frequent, Mill End Store, carried this fun, colorful printed fabric with big flowers and pin-up girls (and guys too on some fabrics!) that would be perfect for a Hawaiian-themed party, so I picked up two yards and got to work.

I chose Vogue 8184 pattern for the halter strap top and the fact that I have used this pattern twice already to make dresses and knew that the fit was good for me.

As I sewed the bodice and skirt of this pattern, which was a little weird sewing right into the faces and through the bodies of some of these ladies by the way,

I realized that the top was a little short and that I probably should have lengthened the bodice an inch or so before cutting out the pattern. This problem actually had a great solution: why not just make it a crop top and skirt!

Crop tops are so fashionable now, and if I can get the proportions just right and the skirt waist to reach high enough and the top to hit my middle at just the right place (the non-fatty, not too fleshy to show 2″ area only), this could be really cute! So I went for it.

I had some zippers on hand that I got for free at work from our trims department (sometimes I really love my job!), and had two of the same zippers, although one orange and one pink, both the same metal zipper and pull,  that would both be perfect for this outfit so I used them for a pop of color and additional interest.

I went forward with the simple straight skirt and made the lining of the bodice using muslin. To finish off the hem of the top, as it would normally be sewn to the top of the skirt to make the dress, I just sewed the hem of the top together to the lining before I finished the back of the top with the zipper, under stitched it, and flipped it right side out giving it a good press after each sewing step.

Then, I essentially hand sewed the zipper into place, folding the outer and the lining into place to make the cleanest finish possible. Then a hook and eye closed the very top of the top.

I also had to cut apart the halter strap and make it about 1 1/2″ smaller to fit around my neck, so I sewed two snaps at a good place to hold the straps closed.

Overall, it turned out to be a really great and fun outfit for the party, plus I can wear the pieces as separates, or on a vacation to Hawaii (hint, hint), and now I can make other crop top and skirt outfits using this method for future fashions.

                                 

Aloha!

                                                             

 

I completed this lovely dress just in time to wear to the wedding shower of our friend. Here is the journey of the construction of this dress.

I chose Butterick 5744 pattern to make the feminine ruffled blouson dress in a lovely silk crepe and silk habotai lining material that I purchased at Mill End Store in Milwaukie, OR. I made view A of the pattern with the plain skirt with the double ruffle of view B.

 

I was going for a pretty, feminine and romantic looking dress such as these styles:

So I took my pattern to the Open Sewing session held at Mill End Store in Beaverton last Saturday and was able to get some great assistance and personal fitting attention from sewing expert Elizabeth Miles. We cut out the pattern pieces, pinned the pattern tissue pieces together and I slipped it on. Elizabeth was able to fit the pattern tissue to my body.

We decided that the pattern needed a few tweaks for the best fit. We added a bust dart and did a slight full bust adjustment, as well as added about an inch to the bottom hem of the bodice front and back.

       

 

Elizabeth was such a great help for me to fit this dress, I can’t thank her enough for her time and attention. I will be going back to that session for help on other sewing projects for sure!

So on to the cutting and sewing of my dress.

I added 2″ to the hem of the skirt using a chalk outline as I cut out the pattern. The chalk line is a little faint in this photo:

 

And here is the lining cutting layout:

 

 

 

As I sewed, I made French seams for the skirt side seams for both the dress and the lining:

 

All in all, I am very pleased with my finished  dress and was excited to wear it to the shower!

 

 

I cranked out this silk charmeuse tank top yesterday using Simplicity 1614 pattern. It took about 6 1/2 hours start to finish, including pattern cutting time right out of a newly opened envelope. That always means taking several body and pattern measurements, figuring out what size to cut out, and cutting out all the pattern pieces needed from the pattern tissue, as well as sewing something for the first time, so it takes a bit longer.

 

I’ve been wanting to sew a bright coral orange top to wear to go with my BCBG sandals I bought two years ago for a long time! My first attempt at making a cool top was a failure, at least a fit failure for me, so I am delighted to finally have a great top to wear with these shoes, plus a whole lot more!

 

 

I like the front yoke seam as well as the back strap parts of this pattern. The pattern envelope comes with a few other views as well, and at least one other view is definitely a fun and relatively easy tank top to sew.

I made French seams for the yoke, shoulder, side and center back seams, and made my own 2″ bias binding for the neckline and armholes, but ended up only using the binding for the neckline and just narrow hemming the armholes.

I think this pattern has some creative opportunities as well. I may go back and do some beading, sequin or stud application to the yoke or back strap for some interest and design umph.

 

Inspiration for this top is abundant. Check out some of the tops and outfits I have pinned on my Pinterest board:

 

Next time I make this tank top ( and there will be a next time), I will bring up the neckline as it is a little low, bring up the armholes, and possibly  cut the back on the fold if possible.

Overall, for 1.5 yards of fabric, about 6 hours of my life, I am very happy with my new silk tank top!

 

 

 

 

I started this tunic top at the end of Summer 2013 and got nearly finished with it until the sleeve did not fit right and the armholes were way too small, so I put it down and didn’t pick it up until this weekend. I finally finished it as I want to wear it this summer and I am trying to get through some of my UFO’s (unfinished objects) that I have started and never completed. So, I proceeded I rip out all the armhole stitches, cut the armhole opening a little deeper, and reattached the sleeve. From there, just the finishing touches of the hem was all I needed to do. Why I didn’t complete this sooner is an attest to my tendency to procrastinate and my shorter than desired attention span!

I used McCalls 6702 pattern using the sleeve of Simplicity 2339 for a tab sleeved 1/2 placket tunic. The fabric is a lovely silk/linen blend from Mill End Store in Beaverton, OR and the little silver buttons used on the sleeve tab are from Button Emporium in Portland, OR. I was going for the look of this top I pinned on Pinterest:

The top turned out nice, but the fit could be a lot better through the chest and the armhole. Next time, I will cut it looser in this area for ease of movement.

I will be wearing this tunic throughout the summer and may even attempt another one as I like the ease and wearability of this tunic style. I have some more linen, some cotton voile, and even some silk fabric in my stash that I can use that will be perfect for this look.

 

Thanks for reading! Now, back to my sewing room for the next project awaiting completion!

As much as I like how this top turned out, it was the result of a mistake that I saved.

This top was meant to be the top part of a dress made from New Look 6181 pattern view A, the short dress:

As the line drawing  of view A illustrates, the dress has a v-neckline, loose “blouson” fitting bodice, a two-piece sleeve with an open seam, and short skirt. It also has a lovely cowl-draped back. The back is the nicest part of this pattern and really should be featured on the cover of the pattern.  The back is so nice in my opinion, that it could be worn as the front for a face-flattering draped cowl neck.

Here is the line drawing from the pattern showing the cowl back and string tie:

I was inspired by some dresses I pinned on Pinterest that I wanted to emulate the look:

I wanted a fast, easy, pretty and comfortable silk dress to wear, so I bought this pattern.

I had some of this lovely teal green silk charmeuse in my stash I bought at Josephine’s Dry Goods last year.

I decided to modify the front of the neckline of the pattern to a more curved shape to compliment the curved and draped cowl back neckline. I thought this would look better than a V-neck for this dress. So, as I was cutting out the pattern, using chalk and a curved ruler, I just drew a new front neckline right onto my fabric.

So, plugging along, I cut out all of my pattern pieces including the front bodice, the back bodice, the skirt and the sleeves. That went pretty well….

The cutting out and marking process was (pleasantly) surprisingly fast! Everything was going well until I was ready to sew and realized I left out a major part: I only have the front part of the skirt! I cut one skirt piece on the fold, not realizing I need two skirt pieces! ARGH!!! I did not have enough extra fabric to cut out the rest of the skirt, so the whole dress idea had to be scrapped and re-thought.

I figured I would continue sewing the top of the dress and see how it went as just a top. I finished most of the work in about 2 hours, eliminating the back sting tie, the front neck facings and the sleeves. I cut two bias strips from the scraps of fabric for the arm holes and finished the neckline and bottom with a narrow hem.

Although I am very disappointed in myself for not thinking ahead of time and for not realizing that I did not have enough fabric for the dress I wanted to make, the top came out pretty nice! I am pleased with the neckline change and think it looks better and mirrors the curve of the back of the top. I also like it sleeveless in this case, and am happy I didn’t add the sleeves for this top. Had I thought ahead, maybe I could have just lengthened the top all together and made it a little more flattering worn loose and untucked. Or made the dress sleeveless, having enough fabric to make the both the front and back of the skirt. But, I was not thinking ahead….at all…

Front of top:

I think this top looks best tucked in:

Or, the top can be reversed and the cowl worn in front:

Overall, I am pleased with my new silk top, and chalk this up to a wearable mistake and practice for the dress version!

 

I decided that I need more silk blouses and tops in my wardrobe (one can never have enough of them, right!) and had a smallish piece (1.3 yards) of beautifully soft and drapey silk crepe de chine on hand that I purchased at Mill End Store in Milwaukie, Oregon. So, I decided to make Simplicity 1661 pattern again, as I really like my black silk charmeuse version that I made last year and wear it often.

I managed to fit (just barely!) all of the pattern pieces on the small fabric piece and cut them out with my sharp rotary cutter pretty quickly. I hate this part of the sewing process as it needs to be precise and can be time-consuming making all of the markings for pleats, notches and such. This top only has a few pattern pieces so it went fairly quickly and I could get to sewing faster.

Here is the finished blouse both on me and my dress form. It can be worn as a loose tie or tied in a bow, and can be worn tucked in to a pant or skirt or left untucked.

 

I can see this luxe little top sewn up in other pretty solid colors, sheers and prints, and also made in the other view of this sewing pattern without the tie.

And, of course, I have some inspiration images of similar tops that I based the look of the top on. I warn you: a couple of these are quite pricey, so hold on to your hats…

 

                  

Thanks for stopping by and reading!

 

 

My blouse and a blurb about it and me in the Reader’s Closet spread on Page 81 of Threads Magazine issue # 174

I’ve officially made it in print!!! Threads Magazine contacted me after I posted my silk bow blouse made from McCalls pattern 6650 from silk charmeuse purchased at Fabric Depot in Portland, OR on their Threads Insider membership page.

They asked if they could feature my blouse in an issue of their magazine. I was delighted of course and accepted the honor and flattery! Not to mention the publicity!!! So I sent them my blouse to their publication headquarters in Connecticut and voila! Here I am, smack dab in my favorite sewing publication, read by thousands of sewing enthusiasts, praised for my work and creation!

Here is the link to the digital edition of this issue: http://www.threadsmagazine.com/item/37365/threads-magazine-issue-174-augsep-14

Time to celebrate!!!!!