Animal Print Brocade Holiday Party Dress

I love this dress! I thought it would be too poofy and make me look bigger than I would like to look, but after wearing it, I was OK with the poof.

 

V1434 in animal print brocade

Vogue Pattern 1434 by Isaac Mizrahi in animal print brocade

 

I used Vogue 1434 to make this dress. It’s a Vogue Patterns American Designer pattern designed by Isaac Mizrahi:

V1434 Pattern Cover

V1434 by Isaac Mizrahi Pattern Cover

V1434 Line Drawings

V1434 Pattern Envelope Back and Line Drawings

I cut out this dress in a size 14, making a fitting muslin of the bodice first, which took some minor tweaking at the shoulders and bust princess seams, but the fit was pretty great overall. I cut it from a beautiful Italian animal print cotton blend brocade in metallic cream, rose and peach shades from Oscar de la Renta I ordered from Moodfabrics.com:

Oscar de la Renta Cream/Wint/Rose/Peach Animal Italian Cotton Blended Brocade Fabric

Oscar de la Renta Cream/Wint/Rose/Peach Animal Italian Cotton Blended Brocade Fabric

Pattern Cutting the Brocade

Pattern Cutting the Brocade

I had a nice red silk crepe de chine fabric in my stash that was just barely enough yardage to fully line the dress:

cranberry red silk crepe de chine for the lining

cranberry red silk crepe de chine for the lining

The dress was fairly easy to construct with a basic princess seam sleeveless bodice and full pleated skirt and deep pockets, lined by the same pattern pieces for the bodice and different patterned pieces for a gathered skirt lining.

The most time consuming part was making the pleats.

I traced the pleat placement using the handy pleating guide included in the pattern pieces:

Pleat Guide Pattern Piece

Pleat Guide Pattern Piece

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I found that this would have been helpful had all my pleat tracing work had actually shown up and stuck to the brocade fabric once it came time to sew them. Instead, I actually held the guide up to my fabric as I pinned each pleat in place, then carefully basted them down:



Pinned and Sewing Pleats

Pinned and Sewing Pleats

This took the most time and attention, but it was worth the work!

finished dress!

finished dress!

I love how the lining turned out, accept the fact that I didn’t take the time to make French seams on the skirt as the inside of the lining could show my mistake or if anyone looks at it throughly inside and out. Oh well, I might just pink the seam edges so they don’t fray.

Mood Fabrics even sent a little label with the fabric that I sewed into my dress below my Love, Stephanie label. Oh, the little things make all the difference!

Labels Pinned and ready to Hand Sew Into Lining of Bodice

Labels Pinned and ready to Hand Sew Into Lining of Bodice

 

Lining of Bodice with Labels

Lining of Bodice with Labels

this dress is fully lined in red silk crepe de chine

this dress is fully lined in red silk crepe de chine

This dress was a huge hit at the two little holiday parties I went to Saturday, and I plan to wear it to another party on Sunday! I even met a woman who wants to talk to me about making some custom dresses and apparel for her! Plus, friends of mine have been dying for me to make them something custom, and we have some really great project ideas in the works! So exciting!

I was going for a dress inspired by these dresses I pinned on Pinterest:

Eliza J dress at Nordstrom

Eliza J dress at Nordstrom

Lanvin Jaquard Dress

Lanvin Jaquard Dress

It is so very cool to be able to make my own clothes, and then wear them and “sell” my work to others!

The Deep Pockets are Wonderful!

The Deep Pockets are Wonderful!

Love My New Dress!

Love My New Dress!

 

Merry Christmas, Happy Holidays and  and Happy New Year to ALL!!! MWAH!!

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Sequin Mesh Strapless Gown

I finished this dress in the nick of time to wear out to the Portland Fashion and Style Awards held at the Portland Art Museum last night.

black sequin gown from Vogue 2237

black sequin gown from Vogue 2237

I love simplicity of this style and the slight train on the back of this gown:

Back of gown

Back of gown

Credit must be given to Vogue Patterns for putting out this designer pattern number 2237 from Badgley Micshka. This was a wonderful pattern to sew as it went together fairly simply and was a good learning experience.

V2237 Badgley Mischka gown and bolero

I traced off the pattern on to Swedish tracing paper and made adjustments to the length of the bodice and the skirt. After measuring the pattern and comparing them to my body measurements, accounting for an additional 3″ high heel, I found that I needed to add 2″ to the bodice and 5″ to the skirt portion of the pattern.

I then cut out and sewed up a muslin of the gown as well as the corset for fitting. My lovely friend helped me pin this dress and make notes on the muslin where to take in and let out.

I found this lovely sequin mesh polyester material at Fabric Depot in Portland, Oregon and thought it had the perfect drape and sparkle for this project.

I got a flesh colored Ambiance lining that matched the color of my skin to line the dress so that it appeared to be see-thru when wearing:

The sequin mesh material was perfect to sew with as it is very soft and the sequins are as well. I was able to sew it without having to remove the sequins from the seam allowances with saved a bundle of time.

I love the scalloped and fringe-like selvedge of the material and was hoping to trim it off and incorporate it into  the dress either at the hem or the top edge, but I ran out of time to do this. I suppose I can go back and add it at another time, or use it for another project. It is just too pretty to toss out!

Here is the muslin and sequin fabric draped on my dress forms:

draped and muslin V2237

sequin fabric draped and muslin pinned to dress forms

The pattern design includes a corset-like under structure that holds up the strapless gown that is sewn into the lining. I added 3 additional boning channels to this at the front and under the bust for added support.

I used a heavier weight muslin for the structure part of the corset and the same lining as the gown to line it. Turned out really great!

I did have to make several fitting adjustments to the outer part of the dress as at first the muslin needed to be let out, but then in the sequin material, which does have a lot more “give” than muslin, I had to take it back in. I had to make fitting adjustments a couple of times actually, in order to get the nice tight fit that a strapless gown requires in order to stay up. Thanks to my part time job doing bridal and special occasion gown fittings and alterations at David’s Bridal, I have learned a great deal about fitting gowns and this knowledge came in quite handy!

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After many hours of fitting and sewing this dress (and leaving off some steps as time was up!), I really love the outcome of the gown and was excited to wear it to the big event! I may go back and make adjustments to the “peaks” of the bodice so that they are a little pointier and less rounded at the top, and the lining drove me nuts all night as it was coming up over the edge of the dress and showing! At least the lining is flesh colored and it was not as noticeable, but I still was not happy with that.

After looking at photos, maybe the bodice was a little too tight as my boobs looked kind of squished. I guess I didn’t realize that I can fake a pretty good cleavage in this kind of dress! Cool!

I was rushing to finish in time (as usual) and sewing on the hook and eye at the back when I was supposed to be on my way to my friend’s house to get ready, but we made it in perfect timing, so it was  all good in the end.

V2237 lining and label

V2237b

black sequin gown from Vogue 2237

V2237d

Back of gown

Very good actually!

V2237a

 

And here I am wearing a little hat designed by ElizaBeth Rohloff. She was nominated at the Portland Fashion and Style Awards for Best Accessory Designer, but sadly didn’t win (this time!). It was fun to wear!

V2237 and hat

Off to the event! Bye!

 

 

Plaid Shawl Transformation into Throw Pillows

My friend purchased this lovely plaid fringed shawl (no, it is NOT Burberry!) and asked my to make some throw pillows out of it:

 

Plaid Shawl with fringe

Plaid Shawl with fringe

 

The pillows were pretty easy to make, however it did take some extra time to plan out the cutting in order to keep the fringe border intact and on the outside of the pillow edges and to get the invisible zippers installed correctly.

 

Normally making a pillow with fringe or a piped edge, you can just sew right sides together with the fringe or piping sandwiched between the two layers and facing to the inside, then it is turned right side out. However, this fringe was already part of the edge, so I opted to first sew the long sides, with the invisible zipper prestitched on, right sides together, but the fringed edges I top stitched them closed on the outside, close to the fringe:

Top stitching the fringed edge

Top stitching the fringed edge

Unfortunately, I was not able to match the plaid on the front of the pillows to the backsides which is a little disappointing. I would have needed more fabric to do this (probably another entire shawl!) or cut off the fringe from the shawl and reattach it as trim.

These pillows took about three hours to make, including the strategic cutting of the shawl and sewing.

Taa Daa!

Pillows with fringe

Overall, they came out really nice and make great accent pillows for a couch or a bed. I hope my friend enjoys them for years to come!

Plaid pillows with fringe

Plaid pillows with fringe made from a shawl

 

Printed Silk Tank Top

I felt the itch to sew up something quick and easy to wear, so I made up this little silk top using Simplicity 1253 pattern and some lovely Derek Lam printed silk/lycra fabric:

Simplicity 1253 top in Derek Lam printed silk

Simplicity 1253 top in Derek Lam printed silk

Simplicity 1253 in Derek Lam designer silk

Simplicity 1253 in Derek Lam designer silk

This little top pattern took just a couple of days of on and off sewing time and under 2 yards of fabric. It features a pleated front, hi/low hem and a neck band.

Front neck pleat detail

Front neck pleat detail

The neck band took a little time to sew on, as I chose to sew the inside enclosing seam by hand instead of the stitch in the ditch method that the pattern has you do. This method NEVER turns out well for me, so I just take out my needle, thread and thimble and get to work hand sewing:

Slip stitching the inside of the neck band by hand

Slip stitching the inside of the neck band by hand

There is a little keyhole opening in the back with a loop and button closure which is a nice little feature:

back of top with loop and button closure

back of top with loop and button closure

I like to layer these little silk tops under jackets and cardigans or on their own:

My new top layered under a jacket

My new top layered under a jacket

I almost always have inspiration styles after which I try to model my sewing projects:

Joie "Corette" printed silk tank $158

Joie “Corette” printed silk tank $158

Joie printed silk tank top

Joie printed silk tank top

Tie Neck Silk Blouse-Coral Pink Charmeuse

OK, maybe these tie neck or “pussy bow” style tops are old school, maybe they are haute couture. I don’t know for sure. All I know is I love them. And, I know that I will make them over and over again, until I cannot bare to make any more:

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This beauty I made for my stunning brunette friend (you know how you are 🙂 ) as a gift. I have had this pinky/coral colored lustrous silk charmeuse for about two years now, keeping Her in mind to make a top for. I finally had her body measurements (I measured them for her on Thanksgiving 2014 before dinner), and figured she would look really nice in a lower cut, tie neck blouse, in a favorite color that she loves, not to mention looks really pretty on her.

I used Simplicity 1784 pattern, view A,  to make this blouse.

Simplicity 1784                                                   1784_fbvSimplicity

 

I ran out to Button Emporium to find some pretty , unique, and special buttons to use for this top. I found some lovely German Word War II-era pink glass buttons and grabbed up enough, plus extra, to button up this beauty.

Antique German glass buttons

Buttoned barrel sleeve cuff

 

Front buttons of blouse

Front buttons of blouse

I attempted to make this top as nicely as I could. I used French seams for the side, sleeve and armhole sleeves, plus hand stitched the interior of the cuff and neckline seams. Next time I make this top, or any top like this, I will not use fusible interfacing, at least not in the neck facing, because it left the facing a little warpy and stiff, plus it shows a little. I will try a silk organza, or the self material, for any interfacing parts the next time.

I have seen, and Pinned, several tops and blouses lately, that were an inspiration for this creation:

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I hope that She loves and enjoys this top and can wear it for many years to come. Who knows, maybe she will commission me to make her more of these, or similar ones, to add to her wardrobe and wear for the future. I would LOVE to do that! For Her, or anyone else who would like that. And who can afford me too 😉

back of silk blouse

IMAG3331

Silk Crepe Blouson Top New Look 6303

 

 

 

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I just completed this lovely purple silk crepe crossover blouson top from New Look 6303 pattern.  I just love the style of this top as I have seen on Pinterest several times and have pinned a few to my “Sew Love-Tops” board:

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This was a fast and fairly easy sewing reject, after I lengthened the sleeves 3″ and left out the neck binding. I also did not tack the center front edges, but may go back and do this to keep the top closed, or add the neck binding. as included in the pattern, or make up another version of a binding.

I made the side, shoulder, arm and armhole seams all French seams to prevent fraying and to make it pretty on the inside too.

The top features a nice center back pleat and a longer back hem:

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This top even looks nice on the dress form:

IMAG3038                  IMAG3036

I love my new top, especially the color!

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If I make it again, which will be likely (although it takes up a whopping 3 1/4 yards 45″ wide fabric (2 1/4 60″ wide!), I will probably also make a change to the neckline and make it just a straight angle from the shoulder, or add the binding and make a tie closure.

Either way, this is a great pattern and I even like the sleeveless version view D as well.

 

Leather inset peplum top and skirt

I made this top and skirt yesterday to wear as an usher at Fashion Week fashion show next weekend. I had some leather in my stash I got at Tandy Leather in Portland and used a mystery thick ponte knit (I think this was actually a neoprene fabric) I bought over a year ago at Mill End for the rest of the top and matching pencil skirt. I used New Look pattern 6130 for the outfit.

Leather inset peplum top and skirt                  IMAG2061                         IMAG2066                        IMAG2067

I may be a little late to the peplum party, but I have found some similar dresses online at high end retailers such as these pricey ones:

faux leather bodice peplum dress $595

\ faux leather bodice peplum dress $595

Raoul $395

Raoul $395

I can’t wait to wear this to the fashion event!

Update: Here I am wearing my outfit at a fashion show in October 2014. I got tons of compliments on this dress, and was asked if I have a line of clothing! I think I’d better get on that request and start designing for real!

Posing with some of my fashion friends at FashioNXT fashion show in POrtland Oregon

Posing with some of my fashion friends at the 2014 FashioNXT fashion show in Portland Oregon